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What's
a Session!!!
The session is part of the social culture that grew out of rural Irish
village life and is a gathering where playing, listening and dancing to music are
communal, participatory activities. Traditionally sessions are held in private
houses or in pubs and the format is just a group of people getting together to
play tunes (jigs, reels, hornpipes etc.) or to share songs and enjoy the "craic". Tune sessions pretty
much feature mainly tunes though sometimes dancers
and singers are involved, and sometimes not. A session is not a concert, but it's not
"a free for all" either. You should always be mindful of your fellow musicians,
especially if you're not a regular, and
sympathetic to the aims of the night.
About our Session:
The Shamrock Session has been going for about 3 years and before
that we used to session every Tuesday at the Railway Hotel in Hornsby (next
suburb down the line) for about 4 years until the noise of the pin-ball machines
and pool players drove us away. Since we moved to the Shamrock we get together
every 2nd & 4th Tuesday each month (except January) and our focus is
predominately for playing tunes: jigs, reels, hornpipes, polkas, and other types
of tunes which make up the vast collection of traditional Irish (and Celtic
based) music. It’s a friendly, informal gathering where playing, listening and
dancing to music are all part of the night and all those interested are very
welcome.
The Shamrock Inn where we session, is a great space. It’s an Irish theme
bar attached to a leagues club but, on Tuesday nights it’s closed and so we have
it all to ourselves. We can still buy drinks (very reasonable prices & Guinness
on tap) from the club bar but the only ones who turn up are the musos, sometimes
some dancers and anyone else who wants to hang out and listen, and we don’t have
to complete with external noises such as TV’s, pokies, juke boxes etc.
We try to be as inclusive as possible and the regulars who come along
vary from quite experienced musos with a pretty good repertoire of tunes to
beginners who want to learn and who might only have a few tunes. With this in
mind we try to keep the first hour (7.30-8.30pm) at a steady pace and the tunes
not too difficult. And oh yes bold sessioneers, we dare to go where many would
never venture – we do play polkas and even the occasional waltz. We sometimes
have focus tunes and encourage session players to learn these for the next
session. When we had the session at the “Railway” we even did a tune of the week
and compiled a couple of tune books with sets as an aid to playing. The tunes
from these two books along with a few others we’ve added form the core session
tunes we now play. That doesn’t mean we only play those tunes. We’ve added lots
more since then and when new or visiting musos turn up there is always a healthy
exchange of tunes as well. What you can be assured of is that if you come along
to the session and play any of the tunes listed below there will be a core of
people to join you.
Do we like songs? Well, we don’t not like them, and are happy to have a
few peppered throughout the night but our session is really for the “tunesters”!
In other words it’s tunes, tunes, tunes that are focus, the driving force, the
life blood!
Playing in a session is a valuable experience and a chance to improve your own
musical skills, as well as lots of fun. Sessions however are not free-for-alls
and you should always be mindful of your fellow musicians, especially if you're
not a regular and, be sympathetic to the aims of the night. Whether it’s the
Shamrock or any of the other great sessions that happen around the greater
Sydney area it’s a good idea to keep in mind some basic session etiquette.
• If you’re not a session regular it’s a good idea to listen and get the
feel for the session before you start to play if you’re unsure about the
sessions focus. Chat to the regulars during the breaks between tune sets.
• Don’t know a tune: either don't play or, play very quietly, as your
wrong notes can distract and/or irritate others around you.
• If you play a percussion or rhythm instrument don't play too loudly or
out of time as this is very irritating to the melody players. In the music we
play, the melody is FAR more important than the backing. A good rule of thumb is
only one bodhran and/or guitar at a time. The accompanists should know the tune
as well as the melody players to be sympathetic to the tune and get a good feel
for it.
• Playing too fast and/or too loud so that you take over from the person
leading the tune set is considered highly discourteous and can alienate you from
others in a session. And remember, the person who starts the set calls the tunes
and the tempo.
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Some tunes you'll hear played at the Shamrock
Session: Reels:
Bucks of Oranmore
Concertina Reel
Congress, The
Cooley’s
Crooked Road
Cup of Tea
Dick Gossip’s
Donegal, The
Drowsy Maggie
Dublin Reel (D)
Flogging Reel
Foxhunter’s (G)
Gravel Walk
Green Fields of Rossbeigh (Kerry Reel)
Green Gates
High Reel
Honeymoon
Humours of Tulla
Ireland in New York
Ivy Leaf
Jackie Coleman’s
Jolly Clan Diggers (Old Blackthorn)
Killavel Fancy
Knotted Chord (Junior Crehan’s)
McMahon’s (Banshee)
Maid Behind the Bar
Maid of Mount Cisco
Man of Aran
Man Of The House
Maple Leaf
Master McDermott’s
Merry Blacksmith
Morning Dew
Morning Star
Miss McLeod’s
Mountain Road
Musical Priest
Off to Mass (Primrose Lass)
Over the Moor to Maggie
Pigeon on the Gate
Pigtown Fling
Sailor’s Bonnet
Sailor on the Rock
Saint Anne’s
Sally Gardens
Silver Spear
Sligo Maid
Temple House
Wind That Shakes the Barley
Wise Maid (All Around The World)
Jigs:
Banish Misfortune
Behind the Haystack
Bill Harte’s
Blackthorn Stick
Blarney Pilgrim
Boys Of Tanderagee
Buck in the Woods
Burnt Old Man
Calliope House
Clare Jig
Cliffs of Moher
Connaughtman’s Rambles
Dingle Regatta
Dusty Windowsills
Father O’Flynn (Top of the Cork Road)
Frost is all Over
Full Rigged Ship
Geese in the Bog
Hag at the Churn
Haste to the Wedding
Humours of Glendart
Irish Washerwoman
Kesh (The Castle)
Killavil Jig
Lannigan’s Ball
Lark in the Morning, The
Leitrim Fancy
Life is all Chequered
Lilting Banshee
Mist Covered Mountains
Mooncoin Jig
Morrison’s
Mug of Brown Ale
My Darling Asleep
Out on the Ocean
Palm Sunday
Pipe on the Hob (D)
Pipe on the Hob (Am)
Rakes of Kildare
Rakes of Clonmell
Rambling Pitchfork
Rolling Waves, The
Saddle the Pony
Scotsman Over the Border
Smash the Windows
Sporting Pitchfork
Tenpenny Bit
Tripping Up the Stairs
Walls of Liscaroll
Ward’s Jig
Polkas:
Ailbe Grace’s
Ballydesmond 3
Ballyvourney
Battle of Aughrim
Black Rock, The
Dalaigh’s
Denis Murphy’s
Jenny Lind
Jim Keefe’s
John Ryan’s
Kerry Cow, The
Lakes of Sligo
Maggie in the Wood
O’Sullivan’s
Pat Horgan’s #1
Peg Ryan’s Fancy
Rakes of Mallow
Rakes Polka, The
Rattling Bog
Tom McGowan’s (Pat Horgan’s #2)
Tralee Jail
Hornpipes, Flings & Barndances:
Boys of Bluehill
Cronin’s
Doris Browne’s
German, The
Greencastle
Green Grow the Rashes O
Harvest Home
King of the Fairies
Martin Hayes’ Barn Dance
Off to California
Rug Row (Keel Row)
Stack of Barley
Slip Jigs:
Another Jig Will Do
Boys of Ballysadare
Ceol na Mara
Coleman’s No 1
Drops of Brandy
Foxhunters’ Jig
Hills of Tipperary
Kid on the Mountain
Moll Roe
Rocky Road to Dublin
Slides:
Dennis Murphy’s
Going to the Well for Water
Long Note, The
Star Above the Garter
O’Keefe’s 1
O’Keefe’s 2
Other miscellaneous tunes we play:
Athol Highlanders
Boda Waltz
Buachaill an Eirne (air)
Cold Frosty Morning
Da Slockit Light (Session closing tune)
Dawning of the Day (march)
Flatbush (waltz)
For Ireland I’ll Not Tell Her Name
Hills of Glenorchy (air)
Hobart’s Transformation
Jig of Slurs
Margaret’s Waltz
Mountains of Pomerory
New Ridded Ship
Planxty Irwin
Possum up a Gumstump (but only if Trish is there to lead it!)
Return to Fingal (march)
Roddy McCorley (march)
Si Beg Si Mor
Soldier’s Joy
Sweets of May
Waltz of the Little Girls
Willafjord |



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