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BooksTwelve Australian Photoartists (Sydney: Piper Press, 2009) (with Blair French) 200pp.
Participatory Media: Visual Culture in Real Time (Saarbrücken: VDM Verlag, 2008) 250pp.
(ed.) Photogenic: Essays/Photography/CCP 2000–2004 (Melbourne: Centre for Contemporary Photography & Ellikon Press, 2005).
Book Chapters
'Australian Video Art Since 2000', in Matthew Perkins & Elena Galimberti (ed), Video Void: Australian Video Art 1970–2010 (Melbourne: Australian Scholarly Publishing, forthcoming 2012).
'iPhone Photography: Mediating Visions of Social Space' in Larissa Hjorth, Jean Burgess and Ingrid Richardson (eds.), Studying Mobile Media: Cultural Technologies, Mobile Communication, and the iPhone (New York: Routledge, 2012), pp. 85–97.
'Notes on Photography in Globalization', Hijacked, Volume 3, forthcoming 2012) (with David Bate)
Envisioning Independence: Fashion Photography in Australia' in Australian Fashion Unstitched: The Last Sixty Years (Port Melbourne: Cambridge, 2010), pp. 58–79 (with Kate Rhodes) ISBN 978-0-521-75649-5
'On Precariousness', Hijacked (Perth: Big City Press, 2010), n.p ISBN 978-3-86828-126-2
'Photography and Temporary Public Sculpture: Publicity and Publicness' in One Day Sculpture, edited by David Cross and Claire Doherty (Bielefeld: Kerber Verlag, 2009), pp. 27–30.
'Towards a Technocultural Aesthetic' in Charlotte Day et al (eds.), A Short Ride in a Fast Machine (Melbourne: Gertrude Contemporary Art Spaces, 2005), pp. 189–191.
'Doing it for Themselves: Artist-Run Alternatives & Contemporary Australian Art', in Face Up: Contemporary Art from Australia (Berlin: Hatje Cantz, 2003) (with Tessa Dwyer) 44–55. A revised excerpt of this essay was included in Making Space: Artist-Run Initiatives in Victoria, edited by Din Heagney (Melbourne: Victorian Initiatives of Artist Network, 2007).
'Unveiling Film Space', Introduction to The Bank Book (ed. Helen Frajman) (Melbourne: M33, 2001), pp. 2-3.
'Australian Pacific Cultural Theory' in The Year's Work in Critical and Cultural Theory – 1995 (Oxford: Blackwell, 1998) pp. 369–86 (with Chris Healy, Sophie Gebhardt and Hilary Ericksen).
Articles
'Reflections on Medium Specificity Occasioned by the Digital Light Symposium', Moving Image Review and Art Journal (MIRAJ) [forthcoming 2012] (with Sean Cubitt and Les Walkling).
'In Naked Repose: The Face of Candid Portrait Photography', Angelaki: Journal of the Theoretical Humanities, 16.1, Special issue on the face, edited by Andrew Benjamin, 2011, pp. 111–128
'The Difficulty of Being Oneself: David Rosetzky's Moving Image Portraits', Art & Australia, 2011. pp. 486–493.
'Art on the Run: Ubiquitous Mobility and the Camera Phone', Artlink (Special Issue on 'Surveillance' edited by Natalie King and Virginia Fraser), Vol 31, No. 3, 2011, pp. 20–23.
'"No Credible Photographic Interest": Photography Restrictions and Surveillance in a Time of Terror', Philosophy of Photography, Vol 1, No. 2, 2010 pp. 177–195 (with Jessica Whyte).
'Emotional Archives: Online Photo Sharing and the Cultivation of the Self', Photographies (special issues on memory and the archive), Vol 3.2, pp. 155–171.
'James Turrell: Making Space with Canberra Light', Art & Australia, 48.2, 2010, pp. 246–251.
'Darren Sylvester: In Step with the Real World', Reading Room: A Journal of Art & Culture, Issue 2, 2008, pp. 86–105
'Contemplative Immersion: Benjamin, Adorno & Media Art Criticism' in Transformations, Special Issue on ‘Walter Benjamin and the Virtual: Politics, Art and Mediation in the Age of Global Culture’, Issue 15, November 2007.
'Tracing the Origins of Australian Fashion Photography, The La Trobe Journal, No. 76, Spring 2005, pp. 87–103.
'Ian North: Canberra Suite with Coda', Broadsheet 34.2, June-August 2005, pp. 108–111 (reprint of Greenaway Art Gallery catalogue essay).
'Medium Without a Memory: Australian Video Art', Broadsheet 33.3, September-November 2004, pp. 20–21.
'So you wanna be a fashion photographer' (with Kate Rhodes), Photofile, Issue 71 ('Fashion'), Winter 2004, pp. 24-29.
'High Society to High Concept: Moments of Australian Fashion Photography' (with Kate Rhodes), Photofile, Issue 71 ('Fashion'), Winter 2004, pp. 34-35.
'Peter Robertson: Xanadu' (with Kate Rhodes), Photofile, Issue 71 ('Fashion'), Winter 2004, pp. 54-57.
'Middle Managed: The Photographs of Narinda Reeder', Photofile, Issue 69 ('Money & Power'), Summer 2004, pp. 36-39.
'Digital Art: A Rich Ecology', In Repertoire: A Guide to Australian New Media Art (Sydney: Australia Council, August 2003), pp. 4-6.
'The Paradox of User Control', in Design Philosophy Papers, Issue 3, 2003.
'The Order of Things: The Edition and the Series in Contemporary Photomedia', Photofile, Issue 67 ('Pop'), December 2002, pp. 18-22.
'Icons and Other Pictures: the Photograph in the Art Market', Australian Art Collector, Issue 21, July-September 2002, pp. 86-8.
'Habitats, Fictions and Gestures: Australian Photography Now' in Photographica Australis (ed. Alasdair Foster) (Sydney: Australian Centre for Photography, 2002), pp. 60-64. With Spanish translation for ARCO 'Habitat, ficciones y gestos en la fotografia australiana actual', and Chinese translation for Taipei Fine Arts Museum.
'The Art of Real Time', Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory, eds. Hugh Brown, Geert Lovink, Helen Merrick, Ned Rossiter, David Teh & Michele Willson (Melbourne: Fibreculture, 2001) pp. 215-223 (online version).
'Shadowplay: Ricky Swallow', frieze 58, April 2001, pp. 84-87.
'Between Place and Non-Place: The Poetics of Empty Space', Photofile, Issue 62 ('Fresh'), April 2001, pp. 46-51.
'Webcams: The Aesthetics of Liveness', LIKE, Art Magazine, 12 (Winter, 2000), pp. 16-22 (online version).
'Illumed: Conversations About Light and Space' (with Julian Savage), in Good Thinking: Words and Pictures on Contemporary Melbourne Art (1st Floor Artists and Writers Space, 2000), pp. 41-8.
'Nostalgia for the Future: Everyday History and The Fifth Element', M/C: A Journal of Media and Culture, Vol.2.9, 'Future' (2000).
'In the Anonymity of a Murmur: Graffiti and the Construction of the Past at the Fremantle Prison', Studies in Western Australian History 17, 'Historical Traces' (1997) pp. 104-15.
'Memory, Desire and Photography', Antithesis Vol. 8.2, 'Time and Memory' (1997) pp. 260–80.
'Ear Ring', Trove: A Collection of Creative Writing from the University of Western Australia, Edition 1 (1994) pp. 100–106.
Conference Proceedings
'The Rhetoric of the JPEG', 17th International Symposium on Electronic Art (ISEA2011), Sabanci University, Istanbul, Turkey, 14–21 September 2011.
'Global Visions, Local Contemporaneity: Video Art in Australia' in Crossing Cultures: Conflict, Migration and Convergence; 32nd Congress of the International Committee of the History of Art (CIHA) 2008, edited by Jaynie Anderson (Melbourne: Miegunyah Press, 2009), pp. 940–944.
'Photography in/as Public Sculpture', One Day Sculpture: an International Symposium on Art, Place and Time, Te Papa, Wellington, N.Z., March 2009
'The Critical Ambivalence of Play', Proceedings of ISEA: The 14th International Symposium on Electronic Art, 25 July – 3 August 2008, Singapore (Singapore: ISEA, 2008), pp. 365–367.
'Embodying Judgment: New Media and Art Criticism' at CHArt – Fast Forward: Art History, Curation and Practice after Media (CHArt Refereed Conference Proceedings, Volume Nine, 2006), Edited by Anna Bentkowska-Kafel, Francesco Franco and Hazel Gardiner, Published online in 2010
'Write to Exist' at 'Thinking the Future: Art, Design and Creativity', The Australian Council of University Art & Design Schools, Faculty of Art & Design, Monash University & School of Art, Victorian College of the Arts, 27–29 September 2006, online conference proceedings, edited by Su Baker and Susan Fereday, ISBN: 978-0-9758360-1 9
'Mobile Exchanges', in Vital Signs: Creative Practice & New Media Now, Anastasiou, Pauline (Editor); Trist, Karen (Editor); Smithies, Rhonda (Editor) (Melbourne: RMIT Publishing, 2005).
'The Paradox of User Control', in Digital Art and Culture Melbourne 2003 Conference Proceedings (Melbourne: RMIT, 2003), pp. 167-172.
Reviews
'Singapore Bienniale 2011', Frieze, Issue 139, May 2011, p. 147.
'Andreas Gursky', Art World, Issue 8 (April/May 2009), pp.158-59.
'Contemporary Australia: Optimism', Art & Australia, 46.3 (Autumn 2009), p. 509
'World Architecture Festival: Impressions from the Outside', Architecture Australia, 98.1, January/February 2009, pp. 29–32.
'Revolutions – Forms That Turn: 2008 Biennale of Sydney', Art World, Issue 5, October/November 2008, 168–169.
'Peter Hennessey: The Impossibility of Understanding Space', Art World, Issue 4, August/September 2008, 96–100.
'Shaun Gladwell', Frieze, Issue 114, April 2008, 185.
'Daniel von Sturmer: The Image Scientist’, Art World, Issue 2, April-May 2008, 38–43.
‘Helen Ennis: Photography and Australia’, Photofile, 83, Winter 2008, 77.
'Guggenheim Ga Ga', Art & Australia, 45.2, Summer 2007, 291.
'Venice Biennale: Asia and Australasia', frieze, 109, September 2007, 132–133.
'Australia at the Venice Biennale: Disaster and Other Impressions', Art & Australia, 45.1, Spring 2007, 30–31.
'The Object of Things' (on Daniel von Sturmer at the 2007 Venice Biennale), Broadsheet, 36.2, June 2007, 79–81.
'Alex Knox: Spazio T', frieze, 107, May 2007, 160.
'Perfect for Every Occasion', Photofile, 80, Winter 2007, 10.
'Looking Back', frieze, 104, January-February 2007, 123–139.
'Singapore Biennale: A Total Approach', Real Time, 76, December 06–January 07, 52–53.
'Artists Invade History: Elizabeth Bay House', Real Time, 75, October–November 2006, 52.
'Book Review: Anna Munster: Materializing New Media: Embodiment in Information Aesthetics', Australian and New Zealand Journal of Art, Vol. 7, No. 2, 2006, 99–103.
'Book review: Darren Tofts: Interzone', Art and Australia, 43.4 (Winter 2006), 606.
'A Melancholy Spectacle: Visual Arts at the Commonwealth Games', Art & Australia, 44.1 (Spring 2006), 10–11.
'White Noise', frieze, 97, March 2006, 162.
'Andy Warhol's Time Capsules', Art & Australia, 43.1 (September 2005), 16–17.
'Venice Biennale: Wood and Other Media', Real Time 68, August–September 2005, 54.
'Time Exposed: Hiroshi Sugimoto', Monument 68, August–September 2005, 93–96.
'Book Review: Bill Henson: Mnemosyne', Monument, 67, June–July 2005, 108.
'Seeing Voices: 2004 Melbourne Festival', Real Time, 64, December 2004–January 2005, 40.
'2004: Australian Culture Now', Art & Australia, 42.2, Summer 2004, 196–7.'Fotofreo International Festival Of Photography 2004', Flash (CCP), June–September 2004, 5–7.
'Nick Mangan: In the Crux of Matter', Eyeline, 53 2003-4, 42.
'Orifice', Broadsheet, Vol 32.4, December 2003 – February 2004, 30-1.
'Drama is Conflict', ACCA Mag <03> August 2003.
'New03: David Rosetzky and Daniel von Sturmer', Photofile, 69 'Suburbia', August 2003, 73-5.
'Susan Norrie: Undertow', Photofile, Issue 68 'Futures', April 2003, 67-8.
'Fieldwork: Australian Art 1968-2002', ACCA Mag <02> February 2003.
'Callum Morton: Gas and Fuel', frieze, 72, January-February 2003, 106.
'Susan Norrie: Undertow', Broadsheet December 2002, January + February 2003, 28.
'Callum Morton: Gas and Fuel, Guy Benfield & Vittoria Di Stefano: Universal Love Action', ACCA Mag <01> December 2002.
'Book Review: Lelia Green – Technoculture: From Alphabet to Cybersex', Cultural Studies Review, Vol 8.2, 2002, 216-9.
'Pat Brassington: Work in Progress', Broadsheet, September, October + November 2002, 26.
'2002 Biennale of Sydney', frieze, 69, September 2002, 108-9.
'Peter Burke & Robyn Hely: Delivery', Real Time, 50, August-September 2002, 18.
'A Surrealist Party Tape: the Biennale of Sydney 2002', Critical Interventions, Artspace, July 2002 (unpaginated).
'Anthony Hunt & Stephen Honegger: Container', frieze 68, June-July-August 2002, 118-9.
'Anthony Hunt & Stephen Honegger – The Object of the Game: Digital Sculpture', Real Time 48, April-May 2002, 31.
'Christine Borland: Intimations of Mortality', Broadsheet 31.1, March, April + May 2002, 21.
'Patricia Piccinini: One Night Love', frieze 65, March 2002, 93-4.
'Brendan Lee: the Cinema-Computer Experience', Real Time 47, February-March 2002, 26.
'Wilful Waste: Experimenta's Interactive Media Lounge', Real Time 46, December-January 2002, 20.
'Space Odysseys: Sensation & Immersion', LIKE, Art Magazine 16, Spring 2001, 61-2.
'Ben Morieson: Burnout2001', frieze 61, September 2001, 105.
'John Meade: Propulsion', Real Time 44, August-September 2001, 38.
'Nat & Ali: Friendship Is...', frieze 59, May 2001, 93.
'Philip Brophy: Evaporated Music', frieze 56, January-February 2001, 111-2.
'Darren Sylvester: God Only Knows What I'd Be Without You', Globe E-Journal, Issue 11, 2000.
'Suzanne Treister – No Other Symptoms: Time Travelling with Rosalind Brodsky', Photofile, 60, August 2000, 59.
'Mayonnaise', frieze 53, June-July-August 2000, 117-8.
'"F" Divergent Abstraction and the Photographic Project', LIKE, Art Magazine 11, Autumn 2000, 54-5.
'Norway at the Melbourne International Biennial: Signs of Life', UKS Forum 3-4 (1999).
'Re-take: Contemporary Aboriginal and Torres Strait Islander Photography', frieze 49, November-December 1999, 99-100.
'John Meade: Hauler Me', Eyeline 40, Spring 1999, 48-9.'Melbourne International Biennial', frieze 48, September-October 1999, 100-101.
'Collaborating Country Projects', Globe E-Journal , Issue 10, 1999.
'Darren Sylvester: London Paris Tokyo New York', frieze 47, July-August 1999, 110-11.
'Terror as Nostalgia?: Johan Grimonprez's dial H-I-S-T-O-R-Y', Real Time 31, June-July 1999, 28.
'No Mo Po Mo, or, The New Sincerity', in Quick Responses: Nine Commentaries on the 1999 Melbourne International Biennial, ed. Stuart Koop and Robyn McKenzie (Melbourne: ACCA and LIKE, Art Magazine, May 1999) 3-9.
'The Melbourne Festival: Visual Arts Program', Eyeline 39, Autumn/Winter 1999, 35-7.
'SPAN', Artfan 9, Autumn 1999, 42.
'Walkmen', frieze 46, May-June 1999, 86.
'Beer + Cheeseburger + Ice Cream ÷ Spaghetti x Chips = Graham Ramsay', Globe E-Journal Issue 9, 1999.
'A Future Aesthetic: Sean Cubitt's Digital Aesthetics', Film Philosophy, 3.12, March 1999.
'Alex Gawronski: Sad Art', Eyeline 38, Summer 1998/1999, 45-6.
'Charles Anderson and Paul Carter: Dis/Appearance: Waiting Room #4', Eyeline 38, Summer 1998/1999, 38-9.
'Hobby Core', LIKE, Art Magazine 7, Summer 1998/99, 39-40.
'@', Eyeline 37, Spring 1998, 38-9.
'James Lynch: Real Life is Everywhere', Eyeline 37, Spring 1998, 42.
'Stars and Loops: We Are Electric', Globe E-Journal Issue 8, 1998.
'The Pencil of Culture Symposium', Flash (CCP), July 1998, 5-6.
'Grey Area', Log Illustrated 4, New Zealand Arts Broadsheet, Winter 1998, 12.
'Witness Tells All: Notes on Donna Haraway's Visit to Melbourne', Postscript (University of Queensland) Autumn 1998, 36-9.
'Michel de Certeau: A Symposium', Virtuosity (Newsletter of Australasian Society of Continental Philosophy), Issue 7, March 1998.
'(Crack the) Binary Code in Review', Flash (CCP), February 1998, 5-6 (online version).
Catalogue Essays
'Drew Pettifer: Foreword', in Drew Pettifer: I Keep Mine Hidden (Melbourne: M33, 2011), n.p
'Tracey Moffatt: Other' in Open House: Singapore International Biennale (Singapore Art Museum, 2011), n.p.
'Between Seeing and Reading' in Change: Monash University Museum of Art (Caulfield: Monash University Museum of Art, 2010), pp. 146–149.
'Phone Cameras and Everyday Distraction', in Larissa Hjorth: Still Mobile, exh. cat. Gyeonggi Creation Center, translated into Korean, pp. 6–13.
'Once More With Feeling', in Photographer Unknown exh. cat (Melbourne: Monash University Museum of Art, 2009), 12–15.
'Shadow Play', in Alex Knox: Maxims of Behaviour (Melbourne: City of Melbourne, 2009), n.p
'Jenny Bolis: The Psychology of Trees', exh. cat (co-authored with Kate Rhodes), 2009, n.p.
'The Eye is Obsolete' for 'Testing Ground', 45 Downstairs, Curated by Peta Clancy and Matthew Perkins, 2009
'What Are You Looking For?', Objects in Space, exh. cat. (Melbourne: Next Wave Festival, 2008), 5–6.
'Gavin Hipkins: Empire and Other Children's Stories' in Empire (Auckland: Rim Books, 2008), 25–33.
'David Stephenson' in John Stringer (ed.), Cross Currents: Focus on Contemporary Australian Art, exh. cat. (Sydney: Museum of Contemporary Art, 2007), 106–107.
'John Young: Naïve and Sentimental Paintings', Anna Schwartz Gallery, Melbourne, September 2007.
‘Reinventing Interactivity’, Experimenta Playground: International Biennial of Media Arts, exh. cat. (Melbourne: Experimenta Media Arts, 2007), 12–15.
'Jennie Lang & Geoff Robinson: An Arrangement to Span the Distance Between', exh. cat. (Melbourne: Heide Museum of Modern Art, July 2007), 22–25.
'The Art of Self Display: On Anne Zahalka's Portraiture' in Hall of Mirrors: Anne Zahalka Portraits 1987–2007, exh. cat. (Melbourne: Centre for Contemporary Photography, February 2007), 3–8.
'Simryn Gill: 32 Volumes', exh. cat. (Melbourne: Centre for Contemporary Photography & Maitland Regional Art Gallery, October 2006).
'Nike Savvas, Atomic: Full of love, full of wonder', in Adventures with Form in Space: The Fourth Balnaves Foundation Sculpture Project 2006, exh. cat. (Sydney: Art Gallery of New South Wales, 2006), 58–59.
'View from the Kitchen Table', Proximity, exh. cat. (Melbourne: Kings, June 2006).
'David Rosetzky: Video Works', Kaliman Gallery, Sydney [forthcoming].
'Simon Terrill: Crowd Theory', exh. cat. (Melbourne: Footscray Arts Centre & Casuala Powerhouse, 2006).
'Eye Spy With My Little Eye: A Gift From Justene Williams', in +Plus Factors, exh. cat. (Melbourne: Australian Centre for Contemporary Art, 2006), 58–61.
'Daniel von Sturmer' in 21st Century Modern: 2006 Adelaide Biennale of Australian Art, exh. cat. (Adelaide: Art Galley of South Australia, 2006), 66–67.
'Anne Zahalka, Robert Rooney & Ian Burn' in Extra Aesthetic: 25 Views of the Monash University Collection, exh. cat. (Melbourne: Monash University Museum of Art, 2005), 38–39.
'Laurence Aberhart: Selected Works', exh. cat. (Melbourne: Centre for Contemporary Photography, September 2005).
'Selina Ou & Matthew Sleeth: Made in China', exh. cat. (Melbourne: Centre for Contemporary Photography, April 2005).
'Awkward Silences: Simon Cuthbert, Rebecca Ann Hobbs, Paul Knight, Darren Sylvester, Toni Wilkinson', exh. cat (Melbourne: Linden St Kilda Centre for Contemporary Arts, April 2005).
'Loaded: Jane Burton, Chris Köller & Darren Sylvester' (Curated by Helen Frajman), exh. cat. (Melbourne, April 2005).
'Ian North: Canberra Suite with Coda', exh. cat. (Adelaide: Greenaway Art Gallery, March 2005).
'Deborah Paauwe' in Kindle and Swag: The Samstag Effect (ed. Ross Wolf) exh. cat. (Adelaide: University of South Australia, 2004), 28.
'Ben Morieson: Burnout', exh. cat (Melbourne: Gertrude Contemporary Art Spaces, September 2004).
'How Australian Photography Became Contemporary' in Natalie King (ed.), Supernatural Artificial: Contemporary Photo-based Art from Australia, exh. cat. (Melbourne: Asialink, 2005), 4445. (A touring exhibition to the Tokyo Metropolitan Museum of Photography)
'Medium Without a Memory: Australian Video Art', in I thought I knew but I was wrong: New Video Art From Australia, Curated by Alexie Glass and Sarah Tutton, exh. cat. (Melbourne: Asialink & ACMI, 2004), 37-41.
'Pat Brassington' in 2004 Biennale of Sydney – On Reason and Emotion, exh. cat (Sydney: Biennale of Sydney, 2004), 50.
'Stephen Honegger & Anthony Hunt: Towercase' in New04 (Melbourne: ACCA, March 2004).
'Bloom: Perceiving Independence' (Curated by Simon Clancy), Span Galleries, March 2003.
Pat Brassington, Tracey Moffatt & Anne Zahalka (catalogue entries) in Monash University Collection: Four Decades of Collection, eds. Jenepher Duncan & Linda Michael (Melbourne: Monash University, 2002) 85, 87, 89.
'Breakfast Conversation' (with Kate Rhodes), 1st Floor Artists and Writers Space, November 2002.
'RMIT Media Arts Graduate Exhibition', Centre for Contemporary Photography, November 2002.
'Paul Knight: Krater Crater', Centre for Contemporary Photography, July 2002.
'Mark Amerika: FILMTEXT', e-Media, Centre for Contemporary Photography, April 2002.
'Nat & Ali: The Art Bar', Centre for Contemporary Photography, March 2002.
'Max Creasy: Presented', Centre for Contemporary Photography, October 2001.
'Between Place & Non-Place' (with Kate Rhodes), Victorian College of the Arts Gallery (in collaboration with Centre for Contemporary Photography), October 2001 (online PDF version)
'Daniel von Sturmer: Material From Another Medium', Centre for Contemporary Photography, September 2001 (online version ).
'Into the Looking Glass', for 'Happiness', curated by Charlotte Day, part of the Co-Existenz Australian/New Zealand Cultural Exchange, Centre for Contemporary Photography and Adam Art Gallery, New Zealand, April 2001 (online version).
'Kenneth Pleban: In/Ex', Centre for Contemporary Photography, September 2000.
'David Rosetzky: Custom Made', Centre for Contemporary Photography, June 2000.
'Informational Intimacy', in Our Perfect Dream (Austrian-Australian Art Exchange), Curated by Sylvia Kranawetvogl, 1st Floor, April 2000.
'Same as it Ever Was', Curated by Clare Firth-Smith, 200 Gertrude Street Gallery, September 1999.
'Tribal: Andrew Wilson', 1st Floor, July 1999.
'Art for a Future Generation: Andrew McQualter and Chris Ulbrick', 200 Gertrude Street Gallery, August 1998.
'Indochina: Cambodia and Vietnam: Photographs by Paul Lane', Perth Institute of Contemporary Arts, December 1994.
Interviews
'Nicolas Bourriaud Interviewed', Broadsheet 34.3, September–October 2005, 166–167 (with Anthony Gardner).
'Garth Paine', Real Time 47, February-March 2002, 21.
'Lev Manovich: How to Speak New Media', Real Time 44, August-September 2001, 25. Archived here. Later translated into Latvian
'Patricia Piccinini & Peter Hennessey: Sincerely Artificial', Real Time 43, June-July 2001, 19.
'Conversation in a Media-Soaked Planet of Noise: Interview with McKenzie Wark', Antithesis Vol. 9, 'Everyday Evasions: Cultural Practices and Politics' (1998) 165-77.
Editorships
(co-editor with Kate Rhodes) Photofile, Issue 71 ('Fashion'), Australian Centre for Photography, Winter 2004.
(co-editor with Russell Storer & Art Director Fabio Ongarato) BIG (Australia), 43, 2002.
(assistant ed.) Value Added Goods: Essays on Contemporary Photography, Art and Ideas (ed. Stuart Koop) (Melbourne: Centre for Contemporary Photography, 2002).
(ed.) Photofile, Issue 62 ('Fresh'), Australian Centre for Photography, April 2001.
(ed.) Antithesis Vol. 9, 'Everyday Evasions: Cultural Practices and Politics', University of Melbourne, 1998.
Other Commentary/Previews/Opinion/Media
'Fashion Photography in Australia', Berg Encyclopedia of World Dress and Fashion: Australia, New Zealand, and Pacific Islands (New York: Berg, 2010), pp. 163–167 (with Kate Rhodes) ISBN: 978-1-84788-396-4
‘North, Ian’ in Grove Art Online. Oxford Art Online
'How to Write an Opening Speech to an Art Exhibition', un Magazine, Volume 2, Issue 1, 42–43.
'Debut: Magdalena Bors', Photofile, 82, Summer 2008, 16.
'Looking Back' (Australian wrap-up 2006), Frieze, 104, January-February 2007, pp. 123–139.
‘Simon Terrill: Crowded Space’, Inside: Australian Design Review, Issue 49, 2007. 38–40.
'Matthew Griffin (with Kate Rhodes) in doingbird #11, 2007, unpaginated
'Paul Knight', Australian Art Collector, Issue 37, July–September 2006, 164–165.
'Looking Back' (Australian wrap-up 2005), Frieze, Issue 96, January–February 2006, 111–125.
Entries for Nobuyoshi Araki and Seydou Keita in Lynne Warren (ed.), Encyclopedia Of Twentieth-Century Photography (Routledge, New York: 2006), 49–50 & 854–55.
Quoted on Bill Henson in Gina McColl, 'Dark Lord of the Camera', The Age, Preview Section, 17 April, 2005, 4–6
Quoted in Geoff Strong, 'A Nation of Shutterbugs' article on Kodak and Australia, The Age, 22 September, 2004.
Selection and text in room brochure on Silvia Veléz for Zeitgeist exhibition (Australian Centre for Photography, August 2004)
'Wolfgang Sievers', Flash (CCP) June–September 2004, 10–11.
Quoted in Peter Barrett, 'Picture Perfect' The Age Saturday 28 February 2004, A2 p6
Quoted in Rachael Antony, 'The Art of Buying Art' The Age Friday 16 January 2004.
Quoted in Michael Hutak, 'About Time' (article on the photography market), The Bulletin, 26 November 2003.
Quoted in Lyndall Crisp, 'Buyers Catch the Shutter Bug' (article on the photography market), The Australian Financial Review, 1-2 November 2003.
Quoted in Sue Lowe, 'This is your life – snapped, stored and sent in a moment' (article on digital cameras and mobile phones), front page of Sydney Morning Herald, 19 April 2003.
Profiles on Pat Brassington, Destiny Deacon, Cherine Fahd, Bill Henson, Tracey Moffatt, Deborah Paauwe & Darren Siwes for Australia's Most Collectable Artists, Australian Art Collector, Issue 23, January-March 2003, 54-71.
'Pat Brassington: Smart Art', Australian Art Collector, Issue 22, October-December 2002, 84.
'Annie Hogan: Smart Art', Australian Art Collector, Issue 22, October-December 2002, 92.
'Something Something Video Something', Uplands Gallery, Real Time 49, June-July 2002, 26.
'Melinda Rackham', Real Time 45 (Working the Screen - Underscore), October-November 2001.
'Melbourne Artist-Run Spaces: Fighting Fit', Real Time 45, October-November 2001, 27.
Contributor to INTERACTION: Artistic Practice in the Network, eds. Amy Scholder and Jordan Crandall (New York: Eyebeam Atelier/DAP, 2001).
'Young People and the Arts', Insite, Magazine of Museums Australia, Victoria, August-September 2001, 9.
Frieze 100, Australian Preview Listings, June 2000 - May 2001.
Eyestorm.com, Australasia Preview Listings, December 1999 - April 2000.
'Final Fantasies', Flash Art, Summer 2000, 49.
